The Lucerne Centre for Culture and Convention is a classic union of expressionism and direction. A construction that meets the requirements of a dense site and a modern contemporary creation of the old times.
In the central Swiss city on the north shore of Lake Lucerne, an irregularly shaped lake surrounded by mountains and one in the 8th also known for large events such as the Blue Balls Festival [annual festival for contemporary music] and the Lucerne Festival [a cyclical festival for classical music], which has been taking place since 1938, and many similar civic cultural movements.
Initially, the venue of the Medicago sativa competition was the previous Art Associate in Nursing Congress Centre designed by Arminius Meili; however, the structure had deteriorated since in 1988, the town launched a design competition for a replacement centre. The one factor that was naturally hereditary and revered was the placement of the project which was the foremost potent side of the project and fortuitously perceived by Jean Nouvel!
Starting Up
The project of Parisian architects, Jean Nouvel and Emmanuel Cattani, won the competition in 1989. The French architect Jean Nouvel has designed buildings that create a “visual landscape” blending into the context where they are erected by the surroundings.
The initial design of Kultur- und Kongresszentrum Luzern assumed the position of the centre on the surface of the lake but the ideology wasn’t approved due to infeasibility. Here comes a more improvised version of the same idea which was more sensitive and had multiple relationships with the existing context.
‘Play with a horizontal plane as canopy linking space below it’ metaphor refers to the three ships docked in the lake under the huge deck.
Bill Lacy wrote: “Since the start of his bailiwick career within the 1970s, Frenchman Jean Nouvel has broken the aesthetic of modernism and post-modernism to form a rhetorical language of his own. He places monumental importance on planning a building harmonious with its surroundings.”
The Gradual rate of progress
Due to environmental issues, the centre wasn’t designed on the lake, however, the water was allowed to enter the building interior and form a water garden given footbridges. The designer reworked his notion as rather than locating the building on the lake surface he determined to create the water a crucial consideration in his design.
Jean Nouvel writes: “The building, divided into three basic modules under a monolithic canopy, resembles three boats moored on the bank. Each of the ships is different but all of them complement one another well”. He adjusted the building structure to the existing context so that the former could not dominate the latter.The practical modules are structurally distinguished and separated with 3 vast skylights, 2 of that illumine areas higher than the water ducts situated within the building.
The primary issue was the relationship between the center and two existing buildings characterized by large cubature, i.e.,the previous post workplace (since 2011—the University of Lucerne) and, interestingly, in terms Its form, Central Station, has fragments designed by Santiago Calatrava.
Nouvel needed an advantage of the neighbourhood lake and also the previous city and determined that it was necessary to create an independent place counter-balancing nearby buildings, yet at the same time radiating relaxed aura and understanding the landscape flow along with the proportion and scale of the internal spaces of the building and the city.
Principle of Inclusion
The new building of the Culture and Congress Centre in Luzern is inscribed in the context of the above principle. The residents faced accepting the beginning of an innovative project in the city space. In 1994, Luzern’s electorate approved 94 million Swiss francs for the construction of KKL (65.7 % votes in favor). A year later, the development of the new Culture and Congress Centre was initiated, the building was erected in a very best time of five years.
In KKL, Lucerne has satisfied facilities that serve the neighborhood populace however additionally draws sport from across the world. From a programmatic factor of view, that is one logical significance for constructing a metropolis that aspires to host live shows and meetings globally and to display the crucial details of the cultural lifestyles of Lucerne.
The forte of the challenge is the excellent participation proven with the benefit of managing the consumers, who collaborated with the architect in the course of elite levels of its construction, the usage of several referendums to gather for that purpose. Moreover, Nouvel had the best feel to align the structure with the existing environment rather than dominating it.
References
Authors: DIMITRI BURKHARD << About KKL, the amazing Lucerne Culture and Congress Centre (newlyswissed.com)>>
Authors: — << Buildings | Free Full-Text | Intelligence-Based Design Illustrated with Examples of ACROS Fukuoka, KKL Luzern and MICA Changsha Buildings—A Multicriterial Case Study | HTML (mdpi.com) >>
Authors: — << Lucerne Culture and Congress Centre (KKL) — Ateliers Jean Nouvel>>
Image S :
Image 1 : Case Study / Culture and Congress Center — Christopher Karlson (chriskarlson.com)
Image 2 : KKL Luzern Acoustic Upgrade / WSDG | ArchDaily
Image 3 : Case Study / Culture and Congress Center — Christopher Karlson (chriskarlson.com)
Image 4 : Case Study / Culture and Congress Center — Christopher Karlson (chriskarlson.com)
Image 5 : Lucerne Culture and Congress Centre (KKL) — Ateliers Jean Nouvel
Image 6: << juergwirth>> Culture and convention centre Lucerne | Luzern.com
